When The Rain Stops Falling
Each year in the QLD Theatre Company program there is one show that simply amazes. One show that always stands head and shoulders above anything else in the line-up. It could be script, it could be something to do with one or more of the cast involved. It could be the lavish production design. Whatever it might be, there is always one show that is easily the best thing they offer in the entire calendar year. This year, it was Andrew Bovell's brand new script When The Rain Stops Falling, which I had the pleasure of viewing last weekend in the Playhouse Theatre in Brisbane. While it's easy to assume that any play which opens with a man screaming his lungs out just before a dead fish flops onto the stage, complete with a live rain effect, is going to be a great piece of work, the simple fact is that as the narrative for When The Rain Stops Falling unfolds, with its unconventional use of time keeping things interesting, you are moved to understand the simple set of links that intertwine a large group of characters over 3 entire generations. Complete with some shock twists in the plot, it's certainly this year's stand out production.
The play opens with Gabriel York (Neil Pigot) delivering a monologue about his relationship to religion, and the nerves he is feeling about meeting his son, Andrew Price (Yalin Ozucelik). This scene, set in the year 2039, sets the stage (no pun intended!) for what ends up being an interesting journey from Australia in 2039, back to England in the 1950s, and everywhere else in between. We meet a large group of people, who stem from two families on opposite sides of the globe. The Laws and the Yorks are two families that are due to become intertwined over time, thanks to the actions of one troubled individual who attempts to flee from the mistakes made in his life, only to eventually create a scenario that kills his own son, and yet sets the stage for everyone's redemption in the end. When The Rain Stops Falling is ultimately a tale of loneliness and isolation, in which each character attempts to deal with these feelings, and in each case it ultimately destroys them. Whether it be through alcohol, suicide, or grief, each character reveals a dark side to their emotional state, and we see how each person's actions affect those around them.
Andrew Bovell's script contains a nice line in complexity, not just in the over-use of the name Gabriel within the characters. The unorthodox use of time in the script (despite it becoming very common in dramatic structure these days) makes for an interesting dynamic within the script, as you learn about the unfolding events in an extremely non-linear fashion. This is particularly relevant when examining the end of the play, in which foreshadowed events come to pass and some real "edge of your seat" stuff occurs surrounding the revelation of a particularly strong relationship link. The cast assembled by Director Chris Drummond are more than capable of realising the complexity of the characters, with Neil Pigot headlining a stand out cast which also included Kevin Harrington, someone I've wanted to see in a live performance for some time now, ever since his Seachange days. The production design on the show, by Hossein Valamanesh, is minimalist but excellent. What makes the show so effective is the highly evocative live score by Quentin Grant, and some brilliant lighting design by Niklas Pajanti. This was certainly a moody production.
Overall, When The Rain Stops Falling is an amazing piece of theatre, and is well worth checking out before the Brisbane season ends next week. If you somehow miss it here, the show is touring around Australia right up until the end of the year, and even then, if you somehow manage to miss any of the inter-state performance, grab a copy of the script and read it. While you'll miss out on some amazing acting and production design elements, you'll get to enjoy the core of what makes this play so good - the highly effective storyline in which a bunch of people are slowly revealed to be connected to the actions of one man, and how this one man's actions create and re-enforce and air of isolation and loneliness within everyone else. It's powerful stuff, and is perfectly suited to the Australian backdrop of landscape that is used by the play as its setting. Andrew Bovell has written a brand new Australian masterpiece of theatre in this script, and I feel confident that When The Rain Stops Falling will be held in the same high regard going forward as texts such as Away and Don's Party. This really is Australian theatre at its very best.